The Futures of Handwriting
The Futures of Handwriting
The Futures of Handwriting A symposium sponsored by the University of Louisville and the Andrew W. Mellon Society of Fellows in Critical Bibliography at Rare Book School, in partnership with the Filson Historical Society. April 12-13, 2019
Keynote Speaker: Dr. Christopher Hager, Charles A. Dana Research Associate Professor, Department of English, Trinity College, Author of Word by Word: Emancipation and the Act of Writing (2013) and I Remain Yours: Common Lives in Civil War Letters (2018)
The reintroduction of cursive into elementary classrooms; the persistence of the stylus in digital reading practices and technologies; the dependence in law and history on handwritten documentary evidence; the changing modes through which consent is inscribed and recorded in official documents and elsewhere; the mimesis of the “handwritten” in artist’s books and digital typeface plugins; the adoption of handwriting practices by recovery communities; the declarations of nostalgia for personal connection signified by the handwritten letter. These are just a few of the uses and futures of handwriting that mark a time of digital media shift. But what is new or transformative regarding this “old” media practice?
The Futures of Handwriting brings together an interdisciplinary array of scholars working in media theory, historical studies, art practice, pedagogy, and other fields in order to address four interrelated questions. The first entails a theorizing of the media itself: what are the futures of handwriting’s meanings and affordances? The second pertains to the history of lived experience: how do scribal practices contribute to the futures and/or foreclosures of various peoples and communities? The third is a matter of our own intermedial literacies: how does handwriting figure within larger media ecologies, and relatedly, what is the place of manuscript cultures for establishing communicative forms, from language, to codices, to the very idea of “writing”? The final question is a meta-commentary on the symposium itself: how does handwriting and allied forms of expression together contribute to a sense of time itself? If manuscript comes “after” print, as Peter Stallybrass has claimed, then where are we today?
While each of these questions are posed in the present tense, this symposium seeks to establish connections between present and past experiences of the “newness” and the “possibility” of handwriting. Thus, in addition to studies of the possible futures for handwritten forms and formats, this symposium will feature historical research into past scribal futures and futurities, which have marked contexts as varied as the rise of middle-class epistolary culture; the birth and death of the author; the adoption of printing, telecommunications, and phonography; the networking of Enlightenment science; the scenes of colonial encounter and contestation; the invention of the news; and the formation of modern scholarly disciplines. By developing a history of the future of handwriting – from The Phaedrus to the grocery store checkout line and beyond – this symposium explores how a vital media practice has been and remains crucial to our understandings of communication, cultural difference, and social order.
Please submit your 300-word abstract and 2-page curriculum vitae to thefuturesofhandwriting@gmail.com by October 1, 2018. Papers addressing “the futures of handwriting” in any historical period or context will be given due consideration. In addition to papers rooted in scholarly disciplines such as literature, history, archive studies, library science, art history, anthropology, archaeology, communication and media studies, bibliography, and paleography, any papers or any presentations of “creative projects” (analog and/or digital) that rigorously address the conference theme are welcome.
The conference will provide presenters with hotel accommodations and meals during the symposium. The organizing committee asks that selected participants with access to institutional funding cover the costs of travel. Remaining conference funds will be used to cover “need-based” travel costs. Please include a brief statement alongside your abstract that explains the need for travel aid, if applicable.
Funding provided by UofL’s Archives & Special Collections, the Department of English, the Commonwealth Center for Humanities and Society, the Department of Comparative Humanities, and the Andrew W. Mellon Society of Fellows in Critical Bibliography at Rare Book School.
Organizing Committee:
Mark Alan MattesChair, The Futures of HandwritingVisiting Assistant Professor of EnglishUniversity of Louisville Delinda BuieProfessor and Rare Books Curator, Archives & Special CollectionsUniversity of Louisville Heather FoxAssistant Professor and Manuscripts Curator, Archives & Special CollectionsUniversity of Louisville John J. GarciaAssistant Professor of EnglishCalifornia State University – NorthridgeSenior Fellow, RBS-Mellon Society of Fellows in Critical Bibliography John GibsonProfessor of PhilosophyDirector, UoL Commonwealth Center for the Humanities and SocietyUniversity of Louisville