Odessa, Cosmopolitanism, Modernism
A research workshop of the Israel Science Foundation
June 28-July 3, 2020
Feldman building, Givat Ram Campus, Hebrew University of Jerusalem
International academic board
- Guido Hausmann, Universität Regensburg, Germany
- Brian Horowitz, Tulane University, USA
- Mirja Lecke, Ruhr-Universität Bochum, Germany
- Efraim Sicher, Ben-Gurion University, Israel
- Vera Skvirskaja, Copenhagen University, Denmark
- Local organizing committee
- Efraim Sicher, Ben-Gurion University (chair)
- Sveta Natkovich, Haifa University
- Scott Ury, Tel Aviv University
- Irena Vladimirsky, Achva College
- Semion Goldin, Hebrew University
Keynote speakers: Steven J. Zipperstein (Stanford University); Israel Bartal (Hebrew University of Jerusalem); Yohanan Petrovsky-Shtern (University of Illinois)
Odessa was, in the first half of the nineteenth-century, a new boom town on the Black Sea, on the periphery of the Russian empire, but was home to French, Turks, Greeks, Italians and other foreigners and looked eastwards to the Levant and the Mediterranean, which facilitated both commercial and cultural exchange across the Black Sea. In 1897 Jews made up a third of the population of the city and constituted a growing large minority that was increasingly Russian-speaking and acculturated but, for all its internal heterogeneity, was also conscious of ethnic difference. Odessa, which was experiencing a downturn in its economic fortunes by the end of the nineteenth century, was also one of the first Russian cities to welcome modernity—the telegraph, steamships, motor cars, aviation, and the early cinema, to give just a few examples. The city saw an inflow of Ukrainian laborers, but a Ukrainian cultural presence was felt only later. The imperial Russian intellectual elite, itself diverse in origin and ideological allegiances, notwithstanding anti-Semitism and xenophobia, shared several cultural spaces with Jews and other minorities in literary clubs, the theater, cafes, or literary magazines and newspapers, not to mention publishing houses and poetry readings. While in the heyday of modernism in the early twentieth century it seems to have been impossible to divide off ethnic spaces, we nevertheless observe the emergence of specifically Jewish cultural spheres, constituted by particular spatial practices. Odessa was the cradle of modern Hebrew literature, but also boasted a vibrant Yiddish culture (though hardly comparable with Lvov or Warsaw). Modernization blurred traditional ethnic and religious differences, replacing them with new alignments and divisions, which need to be understood in their concrete spatial, urban context. The difficulty in defining Jewish culture in the modern period is not eased by the old divisions of history into “Jewish” and “non-Jewish” which ignore not only the contacts between Jews and non-Jews, but also the fact that Jews and non-Jews shared social and cultural spaces and were part of an ethnic mix that faced modernity in similar and different ways.
This international workshop is the first to bring together anthropologists, historians, cultural studies scholars, literary specialists and musicologists to discuss the theoretical and practical aspects of Odessa’s unique cosmopolitan network before the Russian Revolution and in its immediate aftermath. The workshop aims to set up a new paradigm for understanding cosmopolitanism in the urban centers of the Russian and Austro-Hungarian empires, as well as in east European Jewish history, and other multiethnic societies. It will cover a range of interdisciplinary approaches to inter-ethnic and trans-cultural relations with a particular focus on the unique cosmopolitan networks in Odessa in the period 1895-1925. Among the topics to be discussed will be
- Black Sea as cultural and commercial exchange
- inter-ethnic co-existence and violence
- cosmopolitanism in theory and practice
- immigration and cultural identity
- Jewish urban politics
- Ethnic composition in crime and political movements
- modernist art and literature
- Odessa music and song
- periphery and center
- Odessa/Odesa and the Ukraine
- Russian culture and ethnic identities
- languages in contact and fusion: the case of Odessa Russian
- Odessa as a Hebrew cultural center
- political and cultural uses of the “Odessa myth”
We hope to publish selected papers as chapters in a book.
Send abstracts of 500 words with a brief biographical sketch or CV as a word.doc attachment in English by 30 June 2019 to Mirja Lecke mirja.lecke@rub.de and Efraim Sicher sicher@bgu.ac.il